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Equipment
Tonsil's 'Excellence' home theatre system is actually comprised of speakers that are available for individual sale as part of a series of the same name. Thus this system is made up of the EX 1F front - main speakers ($1350 per pair), EX 1S surrounds ($850 per pair), EX 1C centre channel ($550), and Sub-200A active subwoofer ($850).

The Excellence 1F is a floorstanding, three - driver two - way system. The drivers are arranged in what is generally known as a 'D'Appolito' array, after the speaker designer who popularised it (though it's also called an MTM array, because of the way the tweeter is located midway between the two midrange drivers). The idea behind the D'Appolito configuration is to equalise the path - lengths from the midrange drivers to the ear. In speaker systems where the midrange drivers are located directly above each other (with the tweeter at the top) the sound from the bottom midrange driver has to travel a little further through the air to reach your ear than the sound from the upper midrange driver. The difference in path length results in frequency cancellations and causes unwanted ripples in the response of the speaker.
In Tonsil's EX 1F, the midrange drivers also act as woofers. Each driver is 130mm in diameter and has a fibreglass cone. They handle frequencies up to 2.5 kHz, after which the 25mm diameter polyester fabric dome tweeter takes over. The tweeter is recessed into the front baffle to maintain phase accuracy at high frequencies. This requires the use of a short horn which tends to restrict the dispersion of sound over a wide horizontal sweep, but means the driver doesn't have to work as hard to produce high sound pressure levels.

The EX 1S surrounds use exactly the same drivers as the EX 1F except, of course, the driver layout reverts to a conventional two-way design, with a single bass/ midrange driver crossing to the tweeter, again at 2.5 kHz. Efficiency drops marginally, of course (from 88 dB SPL to 87 dB SPL) but this is easily compensated for in the Dolby Digital set-up. Most importantly, the tone colour of the surrounds is identical to that of the front mains.

It won't come as a surprise to find the same drivers popping up again in the EX 1C, which makes Tonsil one of the few manufacturers prepared to put sonic real ism ahead of 'cute looks' in order to get a proper sound quality from its centre channel. The use of such large drivers means, of course, a much larger centre channel than most buyers may be comfortable with, but if you want good sound, it's essential.

Tonsil's Sub-200A is not a thing of beauty, though in part this is because the other speakers in this system are drop - dead gorgeous. The reason is that because it's a dual bandpass design, delivering all its output through two ports, it can be hidden under a couch or behind a drape. It is a true subwoofer, augmenting output below 80Hz, rather than acting as a superwoofer. In terms of controls, the Sub-200A is Spartan, to say the least. There's a 'frequency range' control (Min to Max!), a volume control, line - level inputs and outputs (via RCA) and a single red LED to indicate output stage clipping, and that's it. At least you know Tonsil isn't wasting your dough on frills!

Performance
We started listening to the Tonsil EX 1Fs in two - channel mode, using an ordinary CD as the source and were so captivated by the exciting and involving sounds that issued forth that we suspended adding extra channels until we'd thoroughly exhausted our collection of test tracks. After all this, we came to the conclusion that Tonsil's engineers had excelled themselves with the EX 1F: the midrange is spectacularly linear, so that every sound receives equal weight and every instrument - and voice - is in its proper place, for all of the time. This was true no matter what type of music we played. Every time, the Tonsil EX 1Fs returned ultra - clean, studio - quality sound, nicely balanced right across the audio spectrum. This performance was not restricted to the midrange. Bass was rich and handily extended; treble was silky - smooth to beyond audibility.
Given the performance with just two channels, we were expecting greatness when we dialled in the full system, so we used a five-channel 48 kHz/24-bit DVD-A recording to kick off the session (Thelonius Monk's 'Round Midnight played by Toshiyuki Tanaka) and were just knocked for six by the sound. And to make sure it wasn't just the sound of DVD-A, we used additional DVDs containing Dolby Digital 5.1 datastreams. The sound wasn't a patch on DVD-A, of course, but the Tonsils still performed brilliantly.

Conclusion
Tonsil has arrived in its own right: other loudspeaker manufacturers are going to have to look to their laurels, because the quality and performance of this Excellence system are both outstandingly good, and the pricing is razor sharp.

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